Recommended Databases
SMFA Print Periodicals
- AfterimagePrint issues available at the SMFA Library
SMFA Online Periodicals
- AfterimageOnline issues
- CameraworkPrint issues at SMFA, Tisch, and online issues
- AperturePrint issues at the SMFA and online issues
- Art on paperOnline issues
- Photography & cultureOnline issues
Featured Photography Titles
Another online pervert by
"Another Online Pervert derives from a series of conversations between artist Brea Souders and a female online chatbot. These real-time conversations are interspersed with entries from Souders' diary spanning twenty years, unfolding with a surprising and improvisational quality in combination with photographs from Souders' archive. With this personal and provocative book, we are guided through a unique exploration of how a machine and a human can learn from one another and build a shared story from pieces of themselves." --Publisher's website (viewed on February 15, 2023)"
Call Number: SMFA: N72.W75 S68 2023
As We Rise: Photography from the Black Atlantic by Call Number: SMFA Library: TR681.B52 A8 2021
Being and Becoming: Asian in America by
"Being & Becoming: Asian in America," a landmark issue that considers how artists use the medium of photography to grapple with questions of visibility, belonging, and what it means to be Asian American. Spanning photography from the nineteenth century to the present, and featuring the work of acclaimed figures such as An-My Lê and Reagan Louie, "Being & Becoming" is guest edited by Stephanie Hueon Tung, curator of photography at the Peabody Essex Museum in Massachusetts. "I hope this publication provides an opportunity to discover generative ways of seeing that are rooted in connection and empathy," says Tung, who contributes a powerful essay to the magazine about the importance of envisioning Asian American lives. "It is through the work of artists that we can change our perceptions of the past and heal generational wounds." In "Being & Becoming," Ryan Lee Wong interviews An-My Lê and Pao Houa Her about photography, fiction, and truth in the aftermath of war. Bakirathi Mani looks at artists engaging with collections and public archives shaped by colonial histories, while Xueli Wang writes about those making work in domestic spaces as a way to push back against assimilation. Ken Chen discusses Toyo Miyatake's striking record of life inside the Manzanar prison camp in the central Californian desert. Simon Wu reflects on performative conceptual photographer and documentarian of East Village life Tseng Kwong Chi and his downtown New York era. And Aleesa Pitchamarn Alexander speaks with Reagan Louie, who has spent more than fifty years addressing issues of migration, cultural transformation, and intergenerational dialogue through photography. Among the artist portfolios in "Being & Becoming," Gina Osterloh--whose work is featured on the cover-- experiments with the legibility and illegibility of identity. Leonard Suryajaya constructs exuberant scenes of life in Indonesia and Chicago. Arthur Ou considers the act of seeing the world as a precursor to understanding his place in it. Guanyu Xu layers images of domestic spaces, filled with symbols of home, history, and affection. Priya Suresh Kambli mines family photographs to produce collages about migration and memory, and Jarod Lew composes "deliberately uncluttered" images of his family in Detroit. This issue also features essays from Phoebe Chen, Tausif Noor, Mimi Wong, Amy Sadao, Xuan Juliana Wang, Amitava Kumar, and Simon Han. In The PhotoBook Review--included within every issue of Aperture as of summer 2022--Taous Dahmani speaks with Cécile Poimboeuf-Koizumi, bookmaker and co-founder of the Marseille-based independent publisher Chose Commune. Lena Fritsch reviews an expansive new book that charts Japan's unparalleled history of photography in print publications. In addition, Aperture's editors review new and notable photobooks.
Call Number: SMFA: TR1 .A62 no.251
Dark Goddess by
What does it mean when an item within a museum talks back? How are the concepts of the trained gaze, the panopticon, and the sacred feminine connected? Artist and writer Shanta Lee Gander probes these questions and more in Dark Goddess: An Exploration of the Sacred Feminine. This book accompanies the exhibition of Gander's photo series of the same name, on view at the Fleming Museum of Art at the University of Vermont from February 8 to December 9, 2022. This innovative exhibition catalogue features essays by University of Vermont professors Dr. Vicki L. Brennan (Department of Religion) and Dr. Emily Bernard (Department of English), alongside interviews with Gander's models for the Dark Goddess series, and original written work inspired by items in the Fleming Museum of Art's collection. Conceived in tandem, the publication and exhibition weave together themes of the human gaze, an artist's self-inquiry, history, ethnography, and an exploration of the duality of sacred and profane.
Call Number: SMFA: TR647 .G36 2022
Evidence by
This limited edition artist's book brings together digital collages and manipulated photographs by painter James White based on the celebrated and hugely influential series Evidence by Mike Mandel and Larry Sultan. In Evidence, Sultan and Mandel drew on the archives of more than a hundred US government agencies, finding surreal narrative suggestions in deadpan images that were intended as functional documents, upending and interrogating the documentary natures they espoused. The book has been a continual reference for the grayscale photographic paintings for which James White has become known. In this volume, White pays tribute to Sultan and Mandel's project by further undermining the evidentiary nature of the photographic medium through a process of intervention and painterly gesture which disrupts and reconstitutes the images' mercurial surfaces.
Call Number: SMFA: TR655 .W54 2022
Fotoclubismo: Brazilian Modernist Photography and the Foto-Cine Clube Bandeirante, 1946-1964 by Call Number: TR646.B62 F68 2021
Gauri Gill by
First major survey exhibition of the multi-layered photographic oeuvre of the Indian artist The artist and photographer Gauri Gill has been examining the everyday life of the rural population outside India's urban centers for over two decades now. Her quiet, concentrated photographs focus the viewer's gaze on barely perceived peripheral areas in Indian society. In an open, dialogical process that eschews documentary conventions, she has dedicated herself to concerns related to survival and self-assertion, identity and belonging, and also to conceptual questions of memory and authorship. The exhibition and book bring together about 200 pieces from Gauri Gill's pivotal series like the long-term project Notes from the Desert. A particular focus is on Gill's collaborative approach and her work with artists from rural regions.
Call Number: SMFA: R820.5 .G55 2022
Jari Silomäki by
Jari Silomäki's Atlas of Emotions is the result of an elaborate research process. For this, the artist-who is primarily known as a photographer-studied the stories of people who actively participate in digital discussion forums. Who are the people who hide behind alter ego names on digital platforms? Silomäki researched their backgrounds-also to find out how sometimes bizarre opinions are formed in the first place. He compiled his research in a manuscript and had actors reenact this fusion of imagination and reality in his studio, interpreting the scenes and domestic environments.
Call Number: SMFA: TR647 .S55 2022
Jin-Me Yoon by
Jin-me Yoon is an important Canadian lens-based artist who has been working steadily since emerging on Vancouver's contemporary art scene in the 1990s. Produced in tandem with a major exhibition at the Vancouver Art Gallery in 2022, About Time focuses on Yoon's monumental and multifaceted production of the last decade, which typically combines photography, video, performance and installation. About Time focuses primarily on Jin-me Yoon's most recent artistic practice. In these layered works, Yoon continues to address the subject matter of diasporic experience, colonialism, imperialism and militarism, but with a politicized awareness of what it means to live and work as a diasporic artist on land stolen from Indigenous peoples. Characterized by a restrained poetic style, use of slowness and repetition, and sensory use of sound, Yoon's recent corpus is undergirded by a strong environmentalist thrust. Recurring tropes of this mature phase of her work include cinematic tableaux of individuals integrated within the Pacific West Coast's stunning natural landscapes.
Call Number: SMFA: N6549.Y66 A4 2022
Joshua Rashaad Mcfadden by
A comprehensive survey of the photography of rising and influential Black artist Joshua Rashaad McFadden American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I'll Run On demonstrates his mastery of a wide range of photographic genres--social documentary, reportage, portraiture, and fine art--and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020. Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden's meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden's key role in shaping the art and visual culture of the United States. Published in association with the George Eastman Museum Exhibition Schedule: George Eastman Museum, Rochester, NY (November 5, 2021-June 19, 2022)
Call Number: SMFA: TR647 .M39249 2022
Marilyn Minter : elder sex by
Originally published for a 2022 New York Times article on "The Joys (and Challenges) of Sex after 70," this photographic series by Marilyn Minter explores the almost unchartered territory of sex late in life. Intimate, fantastically bold, sometimes shocking and very Marilyn Minter in the best way, these photographs cast an uninhibited look at "unconventional" bodies and challenge our traditional and often stereotyped vision of sex. Ultimately, these joyful, empowering and body-positive images remind us that the frontiers of sexuality are unlimited and that we can choose the type of pleasure we want at every stage of our lives.
Call Number: SMFA: TR676.M56 M56 2023
Onyx by
'[a] glimmering monograph, which celebrates the performance and artistry of its dancers.' - Vanity Fair 'This book will serve as a starting point for conversations around the Black female body with Raquel at the forefront of provocative image-making' - Aesthetica 'By focusing on the performers themselves, the series elevates the images from straight reportage to curated and highly intentional... Raquel's captivating imagery portrays the empowerment and inclusivity in strip clubs that society has tended to ignore.'- Creative Review In ONYX, photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx. Raquel's photography is usually editorial, with high-power celebrities as her subjects. Her work has broken glass ceilings for Black female photographers. Now, for this passion project commissioned by Fotografiska New York, she has turned her lens towards a community of underrepresented artists in her hometown. At Club Onyx, strippers step on stage displaying their bodies, strength, and seduction, but there's a virtue to this particular space. "They don't get naked" is a common idiom to describe the club's ambiance. Performers there take the word "stripper," and negotiate what that means to them, on their own terms. Raquel captures elements of southern strip culture and the power of these performers with her signature glossy photographic style. From powerful images of the dancers mid-movement to detailed shots and intimate portraits, Raquel's striking images put the divine beauty and compelling energy that enlivens Houston's nightlife on full display. She also takes viewers behind the scenes, giving us a window into the community the dancers have built in the privacy of the locker room. There they prepare for the evening together before moving to the stage, each dancer in her moment. Uniting their star power to conquer one customer at a time, dancers continue into the early morning, performing and collecting bills. ONYX displays the empowerment and inclusivity in strip clubs that society has ignored. As captured by Raquel, the night club experience is revealed with layered meaning - granting the chance for these performers to be seen as elevated as the culture they influence.
Call Number: SMFA: PN1949.S7 R85 2023
Shirin Neshat: Land of Dreams by
A multimedia portrait of a fictional woman artist caught between two cultures In her latest body of work, multimedia artist Shirin Neshat (born 1957) turns her focus to the American West. With more than 100 photographs, a two-channel video installation and a feature film, Neshat creates a multilayered look at contemporary America through the eyes of a fictionalized artist. Monumental black-and-white photographs are transformed through Neshat's use of Farsi text and images that have been hand-drawn onto the picture. The texts represent Neshat's interpretation of the dreams of the sitter, with references to ancient myths and ideologies. Neshat works and experiments with photography, video and film, imbuing them with highly poetic and politically charged images and narratives that question issues of power, religion, race, gender and the relationship between the past and present, occident and orient, individual and collective through the lens of her personal experiences as an Iranian woman living in exile.
Call Number: SMFA: N7289.N47 A4 2022
Stranger Fruit by
Stranger Fruit was created in response to the senseless murders of black men across the nation by police violence. Even with smart phones and dash cams recording the actions, more lives get cut short due to unnecessary and excessive violence.Who is next? Me? My brother? My friends? How do we protect these men?Lost in the furor of media coverage, lawsuits and protests is the plight of the mother. Who, regardless of the legal outcome, must carry on without her child.I set out to photograph mothers with their sons in their environment, reenacting what it must feel like to endure this pain. The mothers in the photographs have not lost their sons, but understand the reality, that this could happen to their family. The mother is also photographed in isolation, reflecting on the absence. When the trials are over, the protesters have gone home and the news cameras gone, it is the mother left. Left to mourn, to survive.The title of the project is a reference to the song "Strange Fruit." Instead of black bodies hanging from the Poplar Tree, these fruits of our families, our communities, are being killed in the street.
Call Number: SMFA: TR647 .H467 2022
Tom Warren by
The 1980s in New York were full of contradictions and polarities: on the one hand, the city was marked by high crime and the AIDS crisis; on the other hand, the economy was booming, allowing those who profited to live decadently. Artists and cultural workers were attracted to this city of contrasts, and dealt critically with issues such as politics and gentrification, while also enjoying a hedonistic lifestyle. Photographer Tom Warren (born 1954) was a significant part of the New York art scene, gaining notoriety for his artistic repurposing of vacant spaces in the East Village. This monograph showcases his photographs from this period, with images of Barry Blinderman, Cornelius Conboy, Quentin Crisp, Luis Frangella, Keith Haring, Pat Hearn, Marilyn Minter, Lady Pink, Rene Ricard, Judy Rifka, Sandra Seymour, Kiki Smith, Hannah Wilke, David Wojnarowicz and more.
Call Number: SMFA Library: TR680 .W37 2022
