This guide has been created to support the symposium hosted by Tufts' Race, Colonialism, and Diaspora department titled 'RCD Symposium: Engaging New Works in Race, Colonialism, and Diaspora Studies." The symposium took place over February 27th and 28th, 2025. In this guide, you can find materials presented at and related to the symposium and the symposium contributors.
Kareem Khubchandani
Decolonize Drag by
Although imagined as a queer subcultural practice, drag seems to be everywhere we look: from AI filters on TikTok to brunchtime entertainment, from state legislations to political rallies. Yet as drag enters the mainstream--largely due to the intense, global popularity of reality TV competition RuPaul's Drag Race--some kinds of gender-based performance fall out of the purview of what we (could) call drag. Decolonize Drag details the ways that gender is used as a form of colonial governance to eliminate various types of expression, and tracks how contemporary drag, including that on Drag Race, both replicates and disrupts these institutional hierarchies. This book focuses on several gender performers that resist and laugh at colonial projects through their aesthetic practices. It also features the voice of Khubchandani's drag alter ego, judgmental South Asian aunty LaWhore Vagistan. From the firsthand perspective of a drag artist, LaWhore describes encounters with depoliticized versions of drag that leave her disappointed and perplexed, and prompts Khubchandani for context and analysis. Their dynamic sets the tone for the book, investigating how drag--and gender more broadly--has been privatized and delimited so that it's only available to certain people. Decolonize Drag argues for more abundance in and access to fashioning gender, and considers how drag changes meaning and efficacy as it shifts across geographies.
Call Number: PN1969.D73 K48 2023ISBN: 1682193950Publication Date: 2023-11-28
Ishtyle by
Ishtyle follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of "ishtyle" to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors' performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.
ISBN: 0472125818Publication Date: 2020-07-16
Trust No Aunty by
Based on her popular Instagram @Hatecopy and her experience in a South Asian immigrant family, artist Maria Qamar has created a humorous, illustrated "survival guide" to deal with overbearing "Aunties," whether they're family members, annoying neighbors, or just some random ladies throwing black magic your way. We've all experienced interference from our Aunties--they are at family parties and friendly get-togethers, finding ways to make your life difficult, trying to get you to marry their sons, and telling you to lose weight while simultaneously feeding you a second dinner--and it has stunted our social growth and embarrassed us in front of our friends and cool cousins for years. This tongue-in-cheek guide is full of advice designed to help you manage Aunty meddling and encourages you to pursue your passions--from someone who has been through it all. Qamar confesses to throwing sweatshirts over crop-tops to get out of the house without being questioned, hiding her boyfriend in a closet, and enduring overbearing parents endless pressuring her to become a doctor, lawyer, or engineer. Holding onto your cultural identity is tough. Always interfering Aunties make it even harder. But ultimately, Aunties keep our lives interesting. As an Aunty-survivor and a woman who has lived the cross-cultural experience, Qamar defied the advice of her aunties almost every step of the way, and she is here to remind you: Trust No Aunty.
Call Number: PN6231.F3 Q36 2020ISBN: 9781501154737Publication Date: 2017-08-01
Kamran Rastegar
Gaza on Screen by
Gaza On Screen considers the role of screens, both large and small, in the circulation of visual representations of Gaza. Gaza has been instrumentalized, ignored, and magnified by regional and global actors, and its film and media production has played a central role in both solidarity activism and militarism. The essays--from anthropologists, sociologists, media studies, and literature scholars--consider solidarity broadcasts on Lebanese television, British Pathe newsreels, the subversive potential of found footage films from Gaza, and situate the visuals of contemporary militant resistance in a long tradition of Palestinian visual politics. Gaza On Screen examines the material conditions surrounding production and circulation, mediation, and the relationship of the virtual to lived experiences within the Gaza Strip. The book also includes a round table discussion with Palestinian filmmakers on film making from and about Gaza that centers attachments to place and community amidst exile and trauma and contingency.
ISBN: 9781478020455Publication Date: 2023-08-02
Reel Gender by
Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality.
ISBN: 9781501394218Publication Date: 2022-11-17
Global Middle East by
Localities, countries, and regions always develop in complex interaction with others. This volume highlights the global interconnectedness of the Middle East. It delves into the region's scientific, artistic, economic, political, religious, and intellectual formations and traces how they have taken shape through a dynamic set of encounters and exchanges. Written in short and accessible essays by among the most prominent experts on the region, the volume covers topics including God, Rumi, food, film, fashion, music, sports, science, and the flow of people, goods, and ideas. It tackles social and political movements from human rights, Salafism, and cosmopolitanism to radicalism and revolutions.
ISBN: 0520968123Publication Date: 2021-02-23
Manjari Mukherjee
Seeing Things by
In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires. Seeing Things is about the sudden cuts, botched prosthetic effects, continuity errors, and celluloid damage in these movies. Such moments may very well be "failures" of various kinds, but in this book Kartik Nair reads them as clues to the conditions in which the films were once made, censored, and seen, offering a view from below of the world's largest film culture. Combining extensive archival research and original interviews with close readings of landmark films including Purana Mandir, Veerana, and Jaani Dushman, this book tracks the material coordinates of horror cinema's spectral images. In the process, Seeing Things discovers a spectral materiality-one that informs Bombay horror's haunted houses, grotesque bodies, and graphic violence and gives visceral force to our experience of the genre's globally familiar conventions.
Call Number: PN1995.9.H6 N325 2024ISBN: 9780520392274Publication Date: 2024-02-13
Bombay Hustle by
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s-1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay's spirit of "hustle," gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production-finance, pre-production paperwork, casting, screenwriting, acting, stunts-to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a "cine-ecology" in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Call Number: PN1993.5.I8 M844 2020ISBN: 9780231196147Publication Date: 2020-09-22
Unseeing Empire by
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented.
Call Number: E184.S69 M365 2020ISBN: 9781478009849Publication Date: 2020-12-11
Jewel Pereyra
Strange Affinities by
Representing some of the most exciting work in critical ethnic studies, the essays in this collection examine the production of racialized, gendered, and sexualized difference, and the possibilities for progressive coalitions, or the "strange affinities," afforded by nuanced comparative analyses of racial formations. The nationalist and identity-based concepts of race underlying the mid-twentieth-century movements for decolonization and social change are not adequate to the tasks of critiquing the racial configurations generated by neocolonialism and contesting its inequities. Contemporary regimes of power produce racialized, gendered, and sexualized violence and labor exploitation, and they render subjects redundant and disposable by creating new, nominally nonracialized categories of privilege and stigma. The editors of Strange Affinities contend that the greatest potential for developing much-needed alternative comparative methods lies in women of color feminism, and the related intellectual tradition that Roderick A. Ferguson has called queer of color critique. Exemplified by the work of Audre Lorde, Cherríe Moraga, Barbara Smith, and the Combahee River Collective, these critiques do not presume homogeneity across racial or national groups. Instead, they offer powerful relational analyses of the racialized, gendered, and sexualized valuation and devaluation of human life.
Call Number: HM753 .S87 2011ISBN: 9780822349709Publication Date: 2011-08-24
On Racial Icons by
What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography's role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons "signify"? Nicole R. Fleetwood's answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography's ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase.
ISBN: 9780813565132Publication Date: 2015-07-15
- "I Love You Dearly, Bitch" - Post45Pereyra, Jewel. "I Love You Dearly, Bitch." Post45 (blog). December 20, 2022. https://post45.org/2022/12/i-love-you-dearly-bitch/.
- "Introduction: Feminist and Queer Afro-Asian Formations" - S&F OnlineReddy, Vanita, and Anantha Sudhakar. “Introduction: Feminist and Queer Afro-Asian Formations.” S&F Online 14, no. 3 (2018). https://search.ebscohost.com/login.aspx?direct=true&db=qth&AN=128592799&site=ehost-live.
Mary McNeil
The Red Deal by
When the Red Nation released their call for a Red Deal, it generated coverage in places from Teen Vogue to Jacobin to the New Republic, was endorsed by the DSA, and has galvanized organizing and action. Now, in response to popular demand, the Red Nation expands their original statement filling in the histories and ideas that formed it and forwarding an even more powerful case for the actions it demands. One-part visionary platform, one-part practical toolkit, the Red Deal is a platform that encompasses everyone, including non-Indigenous comrades and relatives who live on Indigenous land. We--Indigenous, Black and people of color, women and trans folks, migrants, and working people--did not create this disaster, but we have inherited it. We have barely a decade to turn back the tide of climate disaster. It is time to reclaim the life and destiny that has been stolen from us and rise up together to confront this challenge and build a world where all life can thrive. Only mass movements can do what the moment demands. Politicians may or may not follow--it is up to them--but we will design, build, and lead this movement with or without them. The Red Deal is a call for action beyond the scope of the US colonial state. It's a program for Indigenous liberation, life, and land--an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives. The Red Deal is not a response to the Green New Deal, or a "bargain" with the elite and powerful. It's a deal with the humble people of the earth; a pact that we shall strive for peace and justice and a declaration that movements for justice must come from below and to the left.
Call Number: SMFA QC903 .R44 2021ISBN: 9781942173434Publication Date: 2021-04-20
Pollution Is Colonialism by
An interdisciplinary book written by Métis scientist and activist Max Liboiron, Pollution is Colonialism shows how doing environmental research and activism is often premised on a colonial worldview even when practitioners are working towards benevolent goals. The book lays out key terms and a framework for understanding scientific research methods as ways of being in the world that can align with or against colonialism. Liboiron models an anti-colonial scientific practice aligned with Indigenous concepts of land, ethics, and relations, all while taking up the project of Western science, dealing with issues of compromise and conflicting ideas of good relations.
Call Number: JA75.8 .L54 2021ISBN: 9781478014133Publication Date: 2021-05-14
Colonization and the Wampanoag Story by
Until now, you've only heard one side of the story: the "discovery" of America told by Christopher Columbus, the Pilgrims, and the Colonists. Here's the true story of America from the Indigenous perspective. When you think about the beginning of the American story, what comes to mind? Three ships in 1492, or perhaps buckled hats and shoes stepping off of the Mayflower, ready to start a new country. But the truth is, Christopher Columbus, the Pilgrims, and the Colonists didn't arrive to a vast, empty land ready to be developed. They arrived to find people and communities living in harmony with the land they had inhabited for thousands of years, and they quickly disrupted everything they saw. From its "discovery" by Europeans to the first Thanksgiving, the story of America's earliest days has been carefully misrepresented. Told from the perspective of the New England Indigenous Nations that these outsiders found when they arrived, this is the true story of how America as we know it today began.
Call Number: E99.A35 C58 2023ISBN: 9780593480434Publication Date: 2023-09-12
Undrowned by
Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs's Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of "vision" and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.
ISBN: 9781849353977Publication Date: 2020-11-17
- "Terrapolitics in the Dawnland: Relationality, Resistance, and Indigenous Futures in the Native and Colonial Northeast" - The New England QuarterlyDelucia, Christine. "Terrapolitics in the Dawnland: Relationality, Resistance, and Indigenous Futures in the Native and Colonial Northeast." The New England Quarterly 92, no. 4 (2019): 548-83. https://www.jstor.org/stable/26858281.
AB Huber
Arts of Living on a Damaged Planet by
Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
ISBN: 9781452954493Publication Date: 2017-05-30
Dear Science and Other Stories by
In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems.
Call Number: E185.86 .M355 2021ISBN: 9781478010005Publication Date: 2021-01-29
Toward a Global Idea of Race by
In this far-ranging and penetrating work, Denise Ferreira da Silva asks why, after more than five hundred years of violence perpetrated by Europeans against people of color, is there no ethical outrage? Rejecting the prevailing view that social categories of difference such as race and culture operate solely as principles of exclusion, Silva presents a critique of modern thought that shows how racial knowledge and power produce global space. Looking at the United States and Brazil, she argues that modern subjects are formed in philosophical accounts that presume two ontological moments--historicity and globality--which are refigured in the concepts of the nation and the racial, respectively. By displacing historicity's ontological prerogative, Silva proposes that the notion of racial difference governs the present global power configuration because it institutes moral regions not covered by the leading post-Enlightenment ethical ideals--namely, universality and self-determination. By introducing a view of the racial as the signifier of globality, Toward a Global Idea of Race provides a new basis for the investigation of past and present modern social processes and contexts of subjection.
ISBN: 0816649197Publication Date: 2007-03-02
Salvage by
One of Literary Hub's most anticipated books of 2024, Dionne Brand explores English and American literature, and the colonial aesthetic that shaped her sense of self and the world, of what was possible and what was not. In Salvage: Readings from the Wreck, Dionne Brand's first major book of nonfiction since her classic A Map to the Door of No Return, the acclaimed poet and novelist offers a bracing look at the intersections of reading and life, and what remains in the wreck of empire. Blending literary criticism and autobiography-as-artifact, Brand reads Aphra Behn's Oroonoko, Daniel Defoe's Robinson Crusoe, and Jane Austen's Mansfield Park, among other still widely studied works, to explore encounters with colonial, imperialist, and racist tropes from the seventeenth to the nineteenth centuries--tropes that continue in new forms today. Brand vividly shows how contemporary practices of reading and writing are shaped by the narrative structures of these and related works, and explores how, in the face of this, one writes a narrative of Black life that attends to its own consciousness and expression. With the power and eloquence of a great poet coupled with the rigor of a deep and subtle thinker, Brand reveals how she learned to read the literature of two empires, British and American, in an anticolonial light--in order to survive, and in order to live. This is the library, the wreck, and the potential for salvage she offers us now, in a brilliant, groundbreaking, and essential work.
Call Number: PR9199.3.B683 Z46 2024ISBN: 9780374614843Publication Date: 2024-10-01
Freeden Blume Oeur
Mortevivum by
A powerful examination of the unsettling history of photography and its fraught relationship to global antiblackness. Since photography's invention, black life has been presented as fraught, short, agonizingly filled with violence, and indifferent to intervention- living death-mortevivum-in a series of still frames that refuse a complex humanity. In Mortevivum, Kimberly Juanita Brown shows us how the visual logic of documentary photography and the cultural legacy of empire have come together to produce the understanding that blackness and suffering-and death-are inextricable. Brown traces this idea from the earliest images of the enslaved to the latest newspaper photographs of black bodies, from the United States and South Africa to Haiti and Rwanda, documenting the enduring, pernicious connection between photography and a global history of antiblackness. Photography's history, inextricably linked to colonialism and white supremacy, is a catalog of othering, surveillance, and the violence of objectification. In the genocide in Rwanda, for instance, photographs after the fact tell viewers that blackness comes with a corresponding violence that no human intervention can abate. In Haiti, the first black republic in the Western Hemisphere, photographic "evidence" of its sovereign failure suggests that the formerly enslaved cannot overthrow their masters and survive to tell the tale. And in South Africa and the United States, a loop of racial violence reminds black subjects of their lower-class status mandated via the state. Illustrating the global nature of antiblackness that pervades photographic archives of the present and the past, Mortevivum reveals how we live in a repetition of imagery signaling who lives and who dies on a gelatin silver print-on a page in a book, on the cover of newspaper, and in the memory of millions.
Call Number: SMFA TR820.5 .B769 2024ISBN: 9780262547642Publication Date: 2024-02-06
Refugee Lifeworlds by
Cambodian history is Cold War history, asserts Y-Dang Troeung in Refugee Lifeworlds. Constructing a genealogy of the afterlife of the Cold War in Cambodia, Troeung mines historical archives and family anecdotes to illuminate the refugee experience, and the enduring impact of war, genocide, and displacement in the lives of Cambodian people. Troeung, a child of refugees herself, employs a method of autotheory that melds critical theory, autobiography, and textual analysis to examine the work of contemporary artists, filmmakers, and authors. She references a proverb about the Cambodian kapok tree that speaks to the silences, persecutions, and modes of resistance enacted during the Cambodian Genocide, and highlights various literary texts, artworks, and films that seek to document and preserve Cambodian histories nearly extinguished by the Khmer Rouge regime. Addressing the various artistic responses to prisons and camps, issues of trauma, disability, and aphasia, as well as racism and decolonialism, Refugee Lifeworlds repositions Cambodia within the broader transpacific formation of the Cold War. In doing so, Troeung reframes questions of international complicity and responsibility in ways that implicate us all.
Call Number: HV640.5.C35 T76 2022ISBN: 9781439921760Publication Date: 2022-08-29
Ghostly Matters by
Written with a power to match its subject, Ghostly Matters demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Avery Gordon's influential work has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations.
Call Number: HM449 .G67 2008ISBN: 9780816665006Publication Date: 2008-02-29
Buddha Is Hiding by
Fleeing the murderous Pol Pot regime, Cambodian refugees arrive in America as at once the victims and the heroes of America's misadventures in Southeast Asia; and their encounters with American citizenship are contradictory as well. Service providers, bureaucrats, and employers exhort them to be self-reliant, individualistic, and free, even as the system and the culture constrain them within terms of ethnicity, race, and class. Buddha Is Hiding tells the story of Cambodian Americans experiencing American citizenship from the bottom-up. Based on extensive fieldwork in Oakland and San Francisco, the study puts a human face on how American institutions--of health, welfare, law, police, church, and industry--affect minority citizens as they negotiate American culture and re-interpret the American dream. In her earlier book, Flexible Citizenship, anthropologist Aihwa Ong wrote of elite Asians shuttling across the Pacific. This parallel study tells the very different story of "the other Asians" whose route takes them from refugee camps to California's inner-city and high-tech enclaves. In Buddha Is Hiding we see these refugees becoming new citizen-subjects through a dual process of being-made and self-making, balancing religious salvation and entrepreneurial values as they endure and undermine, absorb and deflect conflicting lessons about welfare, work, medicine, gender, parenting, and mass culture. Trying to hold on to the values of family and home culture, Cambodian Americans nonetheless often feel that "Buddha is hiding." Tracing the entangled paths of poor and rich Asians in the American nation, Ong raises new questions about the form and meaning of citizenship in an era of globalization.
Call Number: F869.O2 B83 2003ISBN: 0520229983Publication Date: 2003-09-04
Stay True by
From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken-with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity-is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, a first-generation Taiwanese American who has a 'zine and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become best friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of his best friend-his memories-Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.
Call Number: F868.S156 H78 2022ISBN: 9780385547772Publication Date: 2022-09-27
Unsettled by
After surviving the Khmer Rouge genocide, followed by years of confinement to international refugee camps, as many as 10,000 Southeast Asian refugees arrived in the Bronx during the 1980s and '90s. Unsettled chronicles the unfinished odyssey of Bronx Cambodians, closely following one woman and her family for several years as they survive yet resist their literal insertion into concentrated Bronx poverty. Eric Tang tells the harrowing and inspiring stories of these refugees to make sense of how and why the displaced migrants have been resettled in the "hyperghetto." He argues that refuge is never found, that rescue discourses mask a more profound urban reality characterized by racialized geographic enclosure, economic displacement and unrelenting poverty, and the criminalization of daily life. Unsettled views the hyperghetto as a site of extreme isolation, punishment, and confinement. The refugees remain captives in late-capitalist urban America. Tang ultimately asks: What does it mean for these Cambodians to resettle into this distinct time and space of slavery's afterlife?
Call Number: F128.9.K45 T36 2015ISBN: 9781439911648Publication Date: 2015-10-26
Landbridge : (life in fragments) by
Our inaugural Alchemy title is a searing memoir by an exquisite writer who came to Canada as a baby, escaping war in Cambodia. A future classic, praised by Madeleine Thien and David Chariandy. In 1980, Y-Dang Troeung and her family were among the last of the 60,000 refugees from Cambodia that then-Prime Minister Pierre Trudeau pledged to relocate to Canada. As the final arrivals, their landing was widely documented in the newspapers, with photographs of the PM shaking Y-Dang's father's hand, reaching out to pat baby Y-Dang's head. Forty years later, in her brilliant, astonishing memoir, Y-Dang returns to this moment, and to many others before and after, to explore the tension between that public narrative of happy "arrival," and the multiple, often hidden or disguised truths of what happened to the complex people in her family. With devastating insight delivered in precise, beautiful prose, Y-Dang weaves back and forth in time to tell stories about her remarkable parents and two brothers who lived through the Cambodian genocide, about the lives of her grandparents and extended family, about her own childhood in the refugee camps and in rural Ontario, and eventually about her young son's illness and the terminal cancer diagnosis she herself received late in 2021. Through it all, Y-Dang peels back layers to look with stunning clarity at refugee existence, refusal of gratitude, becoming a scholar, and love. This relatively brief, remarkable text, which holds multiple worlds, is accompanied by a handful of black-and-white visuals that provide another layer of revelation and complexity.
Call Number: F1035.C27 T76 2023ISBN: 9781039008779Publication Date: 2023-08-29
War, Genocide, and Justice by
In the three years, eight months, and twenty days of the Khmer Rouge's deadly reign over Cambodia, an estimated 1.7 million Cambodians perished as a result of forced labor, execution, starvation, and disease. Despite the passage of more than thirty years, two regime shifts, and a contested U.N. intervention, only one former Khmer Rouge official has been successfully tried and sentenced for crimes against humanity in an international court of law to date. It is against this background of war, genocide, and denied justice that Cathy J. Schlund-Vials explores the work of 1.5-generation Cambodian American artists and writers. Drawing on what James Young labels "memory work"--the collected articulation of large-scale human loss--War, Genocide, and Justice investigates the remembrance work of Cambodian American cultural producers through film, memoir, and music. Schlund-Vials includes interviews with artists such as Anida Yoeu Ali, praCh Ly, Sambath Hy, and Socheata Poeuv. Alongside the enduring legacy of the Killing Fields and post-9/11 deportations of Cambodian American youth, artists potently reimagine alternative sites for memorialization, reclamation, and justice. Traversing borders, these artists generate forms of genocidal remembrance that combat amnesic politics and revise citizenship practices in the United States and Cambodia. Engaged in politicized acts of resistance, individually produced and communally consumed, Cambodian American memory work represents a significant and previously unexamined site of Asian American critique.
Call Number: E184.K45 S35 2012ISBN: 9780816682935Publication Date: 2012-11-11
Racial Melancholia, Racial Dissociation by
In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.
Call Number: E184.A75 E54 2019ISBN: 9781478002680Publication Date: 2019-01-17
Departures by
Departures supports, contextualizes, and advances the field of critical refugee studies by providing a capacious account of its genealogy, methods, and key concepts as well as its premises, priorities, and possibilities. The book outlines the field's main tenets, questions, and concerns and offers new approaches that integrate theoretical rigor and policy considerations with refugees' rich and complicated lived worlds. It also provides examples of how to link communities, movements, networks, artists, and academic institutions and forge new and humane reciprocal paradigms, dialogues, visuals, and technologies that replace and reverse the dehumanization of refugees that occurs within imperialist gazes and frames, sensational stories, savior narratives, big data, colorful mapping, and spectator scholarship. This resource and guide is for all readers invested in addressing the concerns, perspectives, knowledge production, and global imaginings of refugees.
ISBN: 0520386396Publication Date: 2022-10-04
How We Write Now by
In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
Call Number: HQ1197 .N38 2024ISBN: 9781478030461Publication Date: 2024-08-06
Children of Cambodia's Killing Fields by
This extraordinary book contains eyewitness accounts of life in Cambodia during Pol Pot's genocidal Khmer Rouge regime from 1975 to 1979, accounts written by survivors who were children at the time. The book has been put together by Dith Pran, whose own experiences in Cambodia were so graphically portrayed in the film The Killing Fields. The testimonies related here bear poignant witness to the slaughter the Khmer Rouge inflicted on the Cambodian people. The contributors -- most of them now in the United States and pictured in photographs that accompany their stories -- report on life in Democratic Kampuchea as seen through children's eyes. They speak of their bewilderment and pain as Khmer Rouge cadres tore their families apart, subjected them to harsh brainwashing, drove them from their homes to work in forced-labor camps, and executed captives in front of them. Their stories tell of suffering and the loss of innocence, the struggle to survive against all odds, and the ultimate triumph of the human spirit.
ISBN: 0585347603Publication Date: 1997-01-01
Auto/ethnography by
In departing from the traditional stance taken by anthropologists, who study 'others' ethnographically, this timely book explores forms of self-inscription on the part of both the ethnographer and those 'others' who are studied. Informed by developments in postmodernism, postcolonialism, and feminism, this is an original contribution to the growing dialogue across disciplinary boundaries. The chapters build upon recent reconsiderations of the uses and meaning of personal narrative to examine the ways in which selves and social forms are culturally constituted through biographical genres. Ethnic autobiography, self-reflexivity in ethnography, and native ethnography raise provocative questions about a range of issues for the contemporary scholar: authenticity of voice; ethnographic authority; and the degree to which autoethnography constitutes resistance to hegemonic bodies of discourse. Examined here in a variety of cultural and political contexts, writing about the self offers challenging insights into the construction and transformation of identities and cultural meanings.
Call Number: GN346.6 .A87 2020ISBN: 9781859739754Publication Date: 1997-08-01
Afterparties by
A debut story collection about Cambodian-American life-immersive and comic, yet unsparing-that marks the arrival of an indisputable new talent in American fiction.
ISBN: 9780063049918Publication Date: 2021-08-03
Matt Hooley
Colonial Lives of Property by
In Colonial Lives of Property, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, [The author] shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, [the author] demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
Call Number: JV305 .B43 2018ISBN: 9780822371397Publication Date: 2018-05-25
Translated Nation by
How authors rendered Dakhóta philosophy by literary means to encode ethical and political connectedness and sovereign life within a settler surveillance state Translated Nationexamines literary works and oral histories by Dakhóta intellectuals from the aftermath of the 1862 U.S.-Dakota War to the present day, highlighting creative Dakhóta responses to violences of the settler colonial state. Christopher Pexa argues that the assimilation era of federal U.S. law and policy was far from an idle one for the Dakhóta people, but rather involved remaking the Oyáte (the Očéti Šakówiŋ Oyáte or People of the Seven Council Fires) through the encrypting of Dakhóta political and relational norms in plain view of settler audiences. From Nicholas Black Elk to Charles Alexander Eastman to Ella Cara Deloria, Pexa analyzes well-known writers from a tribally centered perspective that highlights their contributions to Dakhóta/Lakhóta philosophy and politics. He explores how these authors, as well as oral histories from the Spirit Lake Dakhóta Nation, invoke thióšpaye (extended family or kinship) ethics to critique U.S. legal translations of Dakhóta relations and politics into liberal molds of heteronormativity, individualism, property, and citizenship. He examines how Dakhóta intellectuals remained part of their social frameworks even while negotiating the possibilities and violence of settler colonial framings, ideologies, and social forms. Bringing together oral and written as well as past and present literatures,Translated Nationexpands our sense of literary archives and political agency and demonstrates how Dakhóta peoplehood not only emerges over time but in everyday places, activities, and stories. It provides a distinctive view of the hidden vibrancy of a historical period that is often tied only to Indigenous survival.
Call Number: E99.D1 P49 2019ISBN: 9781517900717Publication Date: 2019-06-04
Against Extraction by
Against Extraction traces the story of a vibrant tradition of Ojibwe writing and art-making in Minneapolis-St. Paul, from the mid-nineteenth century to the present, in order to challenge the supposed stability and permanence of everyday colonial life. In this account, modernist Indigenous texts are not a minor cultural artifacts of a city's cultural history, but are theoretical engines that antagonize the political and cultural fantasies that establish colonial world as a given. Ojibwe artists also interrogate the logics of colonial extraction that undergird relations between, for example, the cities' large Somali, Hmong, Hispanic and white populations. Linking readings of Indigenous cultural production with legal and cultural theory, Against Extraction shows that the ways we narrate histories of places are intimately bound up with the extractive colonial systems that reproduce the violence that unfolds within and through them.
Call Number: E99.C6 H66 2024ISBN: 9781478030362Publication Date: 2024-04-26
Diana Martinez
Second Skin by
Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, 'pure surface' that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a central artist whose work engages with and impacts various modes of modernist display such as film, photography, art, and even the modern house.
Call Number: NX456.5.M64 C49 2011ISBN: 9780195387056Publication Date: 2011-01-04
Reconstructions: Architecture and Blackness in America by
During the Museum of Modern Art's 90-year history, African American architects and designers have had little to no purchase in its permanent collection and exhibition histories, reflective of larger trends in museum and architectural discourses at large. The exclusion of Black architects and designers from the academic imagination have largely been waylaid in favor of dominant formalist and stylistic concerns. This book, conceived as a field guide to accompany the exhibition at MoMA, examines how contemporary architecture may address the varied contexts of systemic anti-Black racism that have fostered violent histories of discrimination and injustice in the United States. The invited contributors reimagine the legacies of race-based dispossession in ten American cities and how individuals and communities across the United States have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal. The catalogue will feature a portfolio of new photographs by artist David Hartt.
Call Number: SMFA NA738.N5 R43 2021ISBN: 9781633451148Publication Date: 2021-03-02
Little White Houses by
A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities. After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white. Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.
Call Number: Oversize NA2543.R37 H37 2013ISBN: 0816654565Publication Date: 2013-02-19
Race and Modern Architecture by
Although race--a concept of human difference that establishes hierarchies of power and domination--has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality--from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants--Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
ISBN: 9780822946052Publication Date: 2020-05-26
Building Character by
In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of "race" and "style" as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists--Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze--to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.
ISBN: 9780822986638Publication Date: 2019-12-17
Adriana Zavala
Politics of Memory by
The public memory of slavery and the Atlantic slave trade, which some years ago could be observed especially in North America, has slowly emerged into a transnational phenomenon now encompassing Europe, Africa, and Latin America, and even Asia - allowing the populations of African descent, organized groups, governments, non-governmental organizations and societies in these different regions to individually and collectively update and reconstruct the slave past. This edited volume examines the recent transnational emergence of the public memory of slavery, shedding light on the work of memory produced by groups of individuals who are descendants of slaves. The chapters in this book explore how the memory of the enslaved and slavers is shaped and displayed in the public space not only in the former slave societies but also in the regions that provided captives to the former American colonies and European metropoles. Through the analysis of exhibitions, museums, monuments, accounts, and public performances, the volume makes sense of the political stakes involved in the phenomenon of memorialization of slavery and the slave trade in the public sphere.
Call Number: HT871 .P65 2012ISBN: 9781138200753Publication Date: 2016-03-30
Shadows of the Slave Past by
This book is a transnational and comparative study examining the processes that led to the memorialization of slavery and the Atlantic slave trade in the second half of the twentieth century. Araujo explores numerous kinds of initiatives such as monuments, memorials, and museums as well as heritage sites. By connecting different projects developed in various countries and urban centers in Europe, Africa, and the Americas during the last two decades, the author retraces the various stages of the Atlantic slave trade and slavery including the enslavement in Africa, the process of confinement in slave depots, the Middle Passage, the arrival in the Americas, the daily life of forced labor, until the fight for emancipation and the abolition of slavery. Relying on a multitude of examples from the United States, Brazil, and the Caribbean, the book discusses how different groups and social actors have competed to occupy the public arena by associating the slave past with other human atrocities, especially the Holocaust. Araujo explores how the populations of African descent, white elites, and national governments, very often carrying particular political agendas, appropriated the slave past by fighting to make it visible or conceal it in the public space of former slave societies.
Call Number: HT867 .A73 2014ISBN: 9780415853927Publication Date: 2014-06-25
African Heritage and Memories of Slavery in Brazil and the South Atlantic World by
This book explores the history of African tangible and intangible heritages and its links with the public memory of slavery in Brazil and Angola. The two countries are deeply connected, given how most enslaved Africans, forcibly brought to Brazil during the era of the Atlantic slave trade, were from West Central Africa. Brazil imported the largest number of enslaved Africans during the Atlantic slave trade and was the last country in the western hemisphere to abolish slavery in 1888. Today, other than Nigeria, the largest population of African descent is in Brazil. Yet it was only in the last twenty years that Brazil's African heritage and its slave past have gained greater visibility. Prior to this, Brazil's African heritage and its slave past were completely neglected. This is the first book in English to focus on African heritage and public memory of slavery in Brazil and Angola. This interdisciplinary study examines visual images, dance, music, oral accounts, museum exhibitions, artifacts, monuments, festivals, and others forms of commemoration to illuminate the social and cultural dynamics that over the last twenty years have propelled--or prevented--the visibility of African heritage (and its Atlantic slave trade legacy) in the South Atlantic region. The book makes a very important contribution to the understanding of the place of African heritage and slavery in the official history and public memory of Brazil and Angola, topics that remain understudied. The study's focus on the South Atlantic world, a zone which is sparsely covered in the scholarly corpus on Atlantic history, will further research on other post-slave societies. African Heritage and Memories of Slavery in Brazil and the South Atlantic World is an important book for African studies and Latin American studies. It is especially valuable for African Diaspora studies, African history, Atlantic history, history of Brazil, history of slavery, and Caribbean history.
Call Number: HT1126 .A726 2015ISBN: 9781604978926Publication Date: 2015-02-06
Mapping Diaspora by
Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho's interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tourism to the late 1970s, when groups of black intellectuals, artists, and activists found themselves drawn especially to Bahia, the state that in previous centuries had absorbed the largest number of enslaved Africans. African Americans have become frequent travelers across what Pinho calls the "map of Africanness" that connects diasporic communities and stimulates transnational solidarities while simultaneously exposing the unevenness of the black diaspora. Roots tourism, Pinho finds, is a fertile site to examine the tensions between racial and national identities as well as the gendered dimensions of travel, particularly when women are the major roots-seekers.
Call Number: F2659.N4 P55 2018ISBN: 9781469645315Publication Date: 2018-12-17
Afro-Atlantic Flight by
In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans' cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces "Africa" and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans' individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.
Call Number: DT16.5 .C63 2017ISBN: 9780822363118Publication Date: 2017-03-24
Atlantic Bonds by
A decade before the American Civil War, James Churchwill Vaughan (1828-1893) set out to fulfill his formerly enslaved father's dying wish that he should leave America to start a new life in Africa. Over the next forty years, Vaughan was taken captive, fought in African wars, built and rebuilt a livelihood, and led a revolt against white racism, finally becoming a successful merchant and the founder of a wealthy, educated, and politically active family. Tracing Vaughan's journey from South Carolina to Liberia to several parts of Yorubaland (present-day southwestern Nigeria), Lisa Lindsay documents this "free" man's struggle to find economic and political autonomy in an era when freedom was not clear and unhindered anywhere for people of African descent. In a tour de force of historical investigation on two continents, Lindsay tells a story of Vaughan's survival, prosperity, and activism against a seemingly endless series of obstacles. By following Vaughan's transatlantic journeys and comparing his experiences to those of his parents, contemporaries, and descendants in Nigeria and South Carolina, Lindsay reveals the expansive reach of slavery, the ambiguities of freedom, and the surprising ways that Africa, rather than America, offered new opportunities for people of African descent.
ISBN: 1469631121Publication Date: 2017-02-01
The Routledge Companion to African American Theatre and Performance by
The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A “Timeline of African American theatre and performance.” Part I “Seeing ourselves onstage” explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II “Institution building” highlights institutions that have nurtured Black people both onstage and behind the scenes. Topics include historically Black colleges and universities (HBCUs), festivals, and Black actor training. Part III “Theatre and social change” surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV “Expanding the traditional stage” examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labor and economic issues that have shaped and enabled African American theatre.
ISBN: 9781351751445Publication Date: 2018-12-07
- "Juan Sánchez’s Counter-Archive" - American ArtZavala, Adriana. "Juan Sánchez’s Counter-Archive." American Art 37, no. 2 (2023): 54-81. doi: 10.1086/725902.
- "Blackness Distilled, Sugar and Rum: María Magdalena Campos-Pons’s Alchemy of the Soul, Elixir for the Spirits" - Latin American and Latinx Visual CultureZavala, Adriana. "Blackness Distilled, Sugar and Rum: María Magdalena Campos-Pons’s Alchemy of the Soul, Elixir for the Spirits." Latin American and Latinx Visual Culture 1, no. 2 (2019): 8-32. doi: 10.1525/lavc.2019.120003.
- "The Chief Sam Movement, A Century Later" - TransitionField, Kendra, and Ebony Coletu. "The Chief Sam Movement, A Century Later." Transition, no. 114 (2014): 108-30. doi: 10.2979/transition.114.108.
Courtney Sato
Gendering the Trans-Pacific World by
As the inaugural volume of the new Brill book series Gendering the Trans-Pacific World: Diaspora, Empire, and Race, this anthology presents an emergent interdisciplinary and multidisciplinary field that highlights the inextricable link between gender and the trans-Pacific world. The anthology features twenty-one chapters by new and established scholars and writers. They collectively examine the geographies of empire, the significance of intimacy and affect, the importance of beauty and the body, and the circulation of culture. This is an ideal volume to introduce advanced undergraduate and graduate students to trans-Pacific Studies and gender as a category of analysis.
Call Number: HQ1760.5 .G463 2017ISBN: 9789004336100Publication Date: 2017-03-16
Unequal Sisters by
Unequal Sisters has become a beloved and classic reader, providing an unparalleled resource for understanding women's history in the United States today. First published in 1990, the book revolutionized the field with its broad multicultural approach, emphasizing feminist perspectives on race, ethnicity, region, and sexuality, and covering the colonial period to the present day. Now in its fifth edition, the book presents an even wider variety of women's experiences. This new edition explores the connections between the past and the present and highlights the analysis of queerness, transgender identity, disability, the rise of the carceral state, and the bureaucratization and militarization of migration. There is also more coverage of Indigenous and Pacific Islander women. The book is structured around thematic clusters: conceptual/methodological approaches to women's history; bodies, sexuality, and kinship; and agency and activism. This classic work has incorporated the feedback of educators in the field to make it the most user-friendly version to date and will be of interest to students and scholars of women's history, gender and sexuality studies, and the history of race and ethnicity.
Call Number: HQ1410 .U54 2024ISBN: 9780367514730Publication Date: 2022-09-01
The Feminist Pacific by
As competing American, European, and later Japanese imperial and colonial ambitions spread across the ocean in the nineteenth century, Honolulu emerged as a transnational hub for the exchange of ideas. Rumi Yasutake reveals the pivotal role of women's organizing in this era of rapid globalization, tracing how diverse movements intersected and converged in Hawai'i--with worldwide consequences. The Feminist Pacific examines transnational networks in Hawai'i beginning in 1820, with the arrival of American missionary wives, and through the rise of women's internationalism in the interwar years. It follows an array of suffragists, missionaries, maternalists, and antiwar activists in their international campaigns for peace and social justice that culminated in the formation of the Pan-Pacific Women's Association (PPWA) and subsequent conferences. Yasutake explores how these movements radiated from Honolulu and branched out to the United States, Japan, and China. She illuminates their contradictions, showing how women's striving for collective power went at once in the face of and hand in hand with globalization, settler colonialism, and imperialism. Yasutake underscores how the PPWA and the movements that formed it wrestled with the dichotomies of their world: home and public, domestic and foreign, native and settler, white and nonwhite, feminist and antifeminist. Bridging nineteenth-century Protestant churchwomen's evangelism with twentieth-century feminist internationalism, this book recasts women's global organizing from the perspective of the Pacific.
Call Number: HQ1438.H3 Y37 2024ISBN: 9780231208529Publication Date: 2024-08-06
The Routledge Global History of Feminism by
Based on the scholarship of a global team of diverse authors, this wide-ranging handbook surveys the history and current status of pro-women thought and activism over millennia. Comprehensive and properly global, this is the ideal volume for students and scholars of women's and gender history, women's studies, social history, political movements and feminism.
ISBN: 9781003050049Publication Date: 2022-02-21
- "Settler Colonial Projections: The Visual Politics of the Interwar Pan-Pacific Movement" - VergeSato, Courtney. "Settler Colonial Projections: The Visual Politics of the Interwar Pan-Pacific Movement." Verge 8, no. 2 (2022): 201-32. https://link.gale.com/apps/doc/A723595599/AONE?u=mlin_m_tufts&sid=bookmark-AONE&xid=05060e9c.
- "A Picture of Peace" - Qui ParleSato, Courtney. "A Picture of Peace." Qui Parle 27, no. 2 (2018): 475-510. doi: 10.1215/10418385-7200287.
JT Roane
His Own Where by
Nominated for a National Book Award in 1971, His Own Where is the story of Buddy, a fifteen-year-old boy whose world is spinning out of control. He meets Angela, whose angry parents accuse her of being "wild." When life falls apart for Buddy and his father, and when Angela is attacked at home, they take action to create their own way of staying alive in Brooklyn. In the process, the two find refuge in one another and learn that love is real and necessary. His Own Where was one of The New York Times' Most Outstanding Books and was on the American Library Association's list of Best Books in 1971. June Jordan was a poet, essayist, journalist, dramatist, activist, and educator known for challenging oppression through her inspirational words and actions. She was the founder of Poetry for the People at the University of California, Berkeley, where she taught for many years. The author of over twenty books, her poetry is collected in Directed by Desire; her selected essays in Some of Us Did Not Die. Sapphire is the author of American Dreams, Black Wings & Blind Angels, and Push, which was made into the 2009 award-winning motion picture Precious.
Call Number: PS3560.O73 H5 2010ISBN: 9781558616585Publication Date: 2010-05-01
Dark Agoras by
In this book, author J.T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them. Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics.
ISBN: 9781479847679Publication Date: 2023-01-03
The Cambridge Companion to the Black Body in American Literature by
Whether invisible or hyper-visible, adored or reviled, from the inception of American literature the Black body has been rendered in myriad forms. This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary and artistic representations of Blackness and embodiment. The book is divided into three sections that highlight Black embodiment through conceptual flashpoints that emphasize various aspects of human body in its visual and textual manifestations. This Companion engages past and continuing debates about the nature of embodiment by showcasing how writers from multiple eras and communities defined and challenged the limits of what constitutes a body in relation to human and nonhuman environment.
ISBN: 9781009204156Publication Date: 2024-05-16
Narrating History, Home, and Dyaspora by
Narrating History, Home, and Dyaspora: Critical Essays on Edwidge Danticat contains fifteen essays addressing how Edwidge Danticat's writing, anthologizing, and storytelling trace, (re)construct, and develop alternate histories, narratives of nation building, and conceptions of home and belonging. The prolific Danticat is renowned for novels, collections of short fiction, nonfiction, and editorial writing. As her experimentation in form expands, so does her force as a public intellectual. Danticat's literary representations, political commentary, and personal activism have proven vital to classroom and community work imagining radical futures. Among increasing anti-immigrant sentiment and containment and rampant ecological volatility, Danticat's contributions to public discourse, art, and culture deserve sustained critical attention. These essays offer essential perspectives to scholars, public intellectuals, and students interested in African diasporic, Haitian, Caribbean, and transnational American literary studies. This collection frames Danticat's work as an indictment of statelessness, racialized and gendered state violence, the persistence of political and economic margins, and the essential vitality of life in and as dyaspora. The first section of this volume, 'The Other Side of the Water,' engages with Danticat's construction and negotiation of nation, both in Haiti and the United States; the broader dyaspora; and her own, her family's, and her fictional characters' places within them. The second section, 'Welcoming Ghosts,' delves into the ever-present specter of history and memory, prominent themes found throughout Danticat's work. From origin stories to broader Haitian histories, this section addresses the underlying traumas involved when remembering the past and its relationship to the present. The third section, 'I Speak Out,' explores the imperative to speak, paying particular attention to the narrative form with which such telling occurs. The fourth and final section, 'Create Dangerously,' contends with Haitians' activism, community building, and the political and ecological climate of Haiti and its dyaspora.
Call Number: PS3554 .A5815 Z78 2022ISBN: 9781496839879Publication Date: 2022-06-27
The Other Side of Terror by
The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the "imperial grammars of blackness." This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late-Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on "the other side of terror", which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.
Call Number: PS153.N5 E345 2021ISBN: 9781479808427Publication Date: 2021-08-10
Sonal Sharma
The Annihilation of Caste by
Reading Ambedkar bridged the gap between what most Indians are schooled to believe and the reality we experience every day of our lives.' Arundhati Roy The Annihilation of Caste is one of the most important - and still the most controversial - works of Indian political writing. Completed in 1936, the book is an audacious denunciation of Hinduism and the caste system that infuriated Gandhi, yet has remained a rallying cry for 60 years. In her lengthy introduction Roy looks at how caste has continued through modern Indian history, and why the words of Ambedkar are necessary today more than ever. In startling and urgent writing she shows that caste is the most urgent question if India is to become a world-leading nation.
Call Number: DS422.C3 A67 2014ISBN: 9781781688311Publication Date: 2014-10-07
I Write What I Like by
"The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found. I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon. Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.
Call Number: DT1949.B55 A25 2002ISBN: 0226048977Publication Date: 2002-09-01
- "Domestic Workers, Class-hegemony, and the Indian State: A Sociological Perspective on Ideology" - South Asian History and CultureSharma, Sonal. "Domestic Workers, Class-hegemony, and the Indian State: A Sociological Perspective on Ideology." South Asian History and Culture 13, no. 4 (2022): doi: 10.1080/19472498.2022.2068481.
- "Contradictions of Neoliberal Urbanism: The Case of Paid Domestic Workers in Indian Cities" - Critical SociologySharma, Sonal. "Contradictions of Neoliberal Urbanism: The Case of Paid Domestic Workers in Indian Cities." 49, no. 4-5 (2023): 865-83. doi: 10.1177/08969205221112827
Librarian
Patrick Quinn
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Contact:
Lilly Music Library
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Granoff Music Center (lower level)
20 Talbot Avenue
Tufts University
Medford, MA 02155
Wenxuan Xue
Zom-Fam by
In their debut poetry collection, Kama La Mackerel mythologizes a queer/trans narrative of and for their home island, Mauritius. Composed of expansive lyric poems, ZOM-FAM (meaning "man-woman" or "transgender" in Mauritian Kreol) is a voyage into the coming of age of a gender-creative child growing up in the 80s and 90s on the plantation island, as they seek vocabularies for loving and honouring their queer/trans self amidst the legacy of colonial silences. Multiply voiced and imbued with complex storytelling, ZOM-FAM showcases a fluid narrative that summons ancestral voices, femme tongues, broken colonial languages, and a tender queer subjectivity, all of which grapple with the legacy of plantation servitude. Emerging from a creative process in spoken word and live performance, these poems transform the page into a stage where the queer femme body is written and mapped onto the colonial space of the home/island. Interwoven with Kreol, ZOM-FAM showcases a unique lyrical sensibility, a musicality influenced by the both unforgiving and soothing rhythms of the ocean, where the poet enunciates the complexity of their displaced Indo-African roots, "the lineage of silence / that we weave in-between our intimacies." Striking, vivid, tender, intimate, and political, ZOM-FAM is a beautifully wrought journey that articulates a contemporary decolonial poetics and offers a roadmap for colonized and displaced queer and trans voices to (re)imagine themselves into being.
Call Number: PR9199.4.L28 Z36 2020ISBN: 9781999058845Publication Date: 2021-09-10
The Intimacies of Four Continents by
In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth and early nineteenth centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.
Call Number: JC574 .L688 2015ISBN: 9780822358633Publication Date: 2015-06-08
Indenture Aesthetics by
In Indenture Aesthetics, Jordache A. Ellapen theorizes the affective relational terrain of indentureship as a site to reimagine South African Blackness and Afro-Indian intimacies. Ellapen curates an archive of aesthetic practices by feminist, queer, femme and gender non-conforming Afro-Indian and Black South African artists in order to offer a different understanding of the categories Indian, African, and Black in South Africa. Theorizing South African blackness through the Indian Ocean world, Ellapen turns to the aesthetic realm to grapple with the afterlives of indentureship and colonial apartheid. Indentureship disrupts the spatial and temporal logics of the post-apartheid and necessitates an engaging with overlapping regimes of racialized labor-slavery in the Cape, indigenous and Indian indentureship, as well as African migrant labor schemes-that confounds the colonial apartheid racial hierarchy and the very categories of race in South Africa. Ellapen shows how Afro-Indian and black African women and queer artists examine post-apartheid limits of freedom and intimacies that disrupt the desire for belonging to the nation. These feminine aesthetic practices question a linear progressive narrative of freedom and agitate for alternative and transgressive politics and subjects.
Call Number: HD4875.S55 E45 2025ISBN: 9781478031345Publication Date: 2025-01-07
Dorothy Wang
Hardly War by
Hardly War, Don Mee Choi's major second collection, defies history, national identity, and militarism. Using artifacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters, conjoined to the belly of a warring empire.
Call Number: PS3603.H65 A6 2016ISBN: 9781940696232Publication Date: 2016-04-05
Singing in Magnetic Hoofbeat: Essays, Prose Texts, Interviews and a Lecture 1991-2007 by
One of the most prolific and original figures in the field of contemporary literature, Will Alexander is known worldwide for his arresting explorations of European and Caribbean surrealism, postcolonial history, twentieth-century philosophy, and contemporary scientific theory. Here, Alexander undertakes nothing less than a redefinition of the essay form itself, opening an "artery of twilight" wherein aesthetic, political, historical, social, cultural, scientific, and theoretical discourses often become indistinguishable elements of a holistic investigation into the composition--or, re-composition--of the physical and metaphysical worlds. Singing in Magnetic Hoofbeat is an indispensable record of Alexander's thought, and confirms his reputation as one of the foremost exponents of Afro-futurist modernism.
Call Number: PS3551.L357716 S56 2012ISBN: 9780979118975Publication Date: 2013-04-16
The Experiment of the Tropics by
Through the lens of history and photography, The Experiment of the Tropics returns to early-twentieth-century Philippines during American occupation and asks, "How does one look at the past?" By braiding the music of anthropology with the intimacy of the lyric, Lawrence Ypil explores history's archives and excavates a city, both real and imagined, that is constituted by the shimmer of petal and porch, coral and brass--a river-refrigerator where women catch their reflections on the sheen of magazines and men lean against the walls of old houses and beckon, come here. So, we approach. Spare, musical, and erotic, The Experiment of the Tropics uses the intersection of text and image to meditate on the nature of a city and its longing, the revelatory power of photography, and the startling capacity of poetry to cut into the violent but redemptive parts of history.
Call Number: PR9550.9.Y65 A6 2019ISBN: 9780982814253Publication Date: 2019-03-01
- "Thrice Unseen, Forever on Borrowed Time: Latina Feminist Reflections on Mental Disability and the Neoliberal Academy" - The South Atlantic QuarterlyCepeda, María Elena. "Thrice Unseen, Forever on Borrowed Time: Latina Feminist Reflections on Mental Disability and the Neoliberal Academy." The South Atlantic Quarterly 120, no. 2 (2021): 301-20. doi: 10.1215/00382876-8916046.
- "Translating Poetry, Translating Blackness" - Poetry FoundationKeene, John. "Translating Poetry, Translating Blackness." Poetry Foundation (blog). April 28, 2016. https://www.poetryfoundation.org/featured-blogger/74906/translating-poetry-translating-blackness.
Sarah Robbins
Against a Sharp White Background by
The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; "post-Black" art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.
Call Number: PS153.N5 A3967 2019ISBN: 9780299321505Publication Date: 2019-05-14
Handwriting in Early America by
As digital communication has become dominant, commentators have declared that handwriting is a thing of the past, a relic of an earlier age. This volume of original essays makes it clear that anxiety around handwriting has existed for centuries and explores writing practices from a variety of interdisciplinary fields, including manuscript studies, Native American studies, media history, African American studies, book history, bibliography, textual studies, and archive theory. By examining how a culturally diverse set of people grappled with handwriting in their own time and weathered shifting relationships to it, Handwriting in Early America uncovers perspectives that are multiethnic and multiracial, transatlantic and hemispheric, colonial and Indigenous, multilingual and illiterate. Essays describe a future of handwriting as envisioned by practitioners, teachers, and even government officials of this time, revealing the tension between the anxiety of loss and the need to allow for variations going forward.
Call Number: Z43 .H187 2023ISBN: 9781625347190Publication Date: 2023-08-25
Fugitive Texts by
Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, Michael Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe's Uncle Tom's Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were "fugitive texts" apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as "the slave narrative."
Call Number: PS366.A35 R6913 2022ISBN: 9780299338404Publication Date: 2022-09-06
- "'As being bound with you': Revising the Contexts of Garnet’s 'Address to the Slaves of the United States of America'" - The Papers of the Bibliographical Society of AmericaRobbins, Sarah. "'As being bound with you': Revising the Contexts of Garnet’s 'Address to the Slaves of the United States of America.'" The Papers of the Bibliographical Society of America 116, no. 2 (2022): 191-213. https://doi.org/10.1086/719930.
Jovonna Jones
Family Properties by
Part family story and part urban history, a landmark investigation of segregation and urban decay in Chicago-and cities across the nation The "promised land" for thousands of Southern blacks, postwar Chicago quickly became the most segregated city in the North, the site of the nation's worst ghettos and the target of Martin Luther King Jr.'s first campaign beyond the South. In this powerful book, Beryl Satter identifies the true causes of the city's black slums and the ruin of urban neighborhoods throughout the country: not, as some have argued, black pathology, the culture of poverty, or white flight, but a widespread and institutionalized system of legal and financial exploitation.In Satter's riveting account of a city in crisis, unscrupulous lawyers, slumlords, and speculators are pitched against religious reformers, community organizers, and an impassioned attorney who launched a crusade against the profiteers-the author's father, Mark J. Satter. At the heart of the struggle stand the black migrants who, having left the South with its legacy of sharecropping, suddenly find themselves caught in a new kind of debt peonage. Satter shows the interlocking forces at work in their oppression: the discriminatory practices of the banking industry; the federal policies that created the country's shameful "dual housing market"; the economic anxieties that fueled white violence; and the tempting profits to be made by preying on the city's most vulnerable population.A monumental work of history, this tale of racism and real estate, politics and finance, will forever change our understanding of the forces that transformed urban America.
Call Number: HD7288.76.U52 C434 2009ISBN: 9780805076769Publication Date: 2009-03-17
Toward Camden by
In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses--her family's house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold.
ISBN: 1478022000Publication Date: 2021-08-30
The Yellow House by
A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East. In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child. A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser-known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.
Call Number: PS3602.R6458 Z46 2019ISBN: 9780802125088Publication Date: 2019-08-13
- "A Rooming House for Transient Girls: Black Women's Spatial Vision in the Black Metropolis" - Southern CulturesJones, Jovonna. "A Rooming House for Transient Girls: Black Women's Spatial Vision in the Black Metropolis." Southern Cultures 30, no. 2 (2024): 8-29. doi: 10.1353/scu.2024.a934711.
- "Walking with Ella Watson: Photography, Interiority, and the Spiritual Church Movement in the Work of Gordon Parks" - Southern CulturesJones, Jovonna. "Walking with Ella Watson: Photography, Interiority, and the Spiritual Church Movement in the Work of Gordon Parks." Southern Cultures 28, no. 2 (2022): 6-17. https://link.gale.com/apps/doc/A727504830/UHIC?u=mlin_m_tufts&sid=summon&xid=5038a435.
Daniel Waqar
- The Intimacies of Four Continents by
In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which "the human" is universalized and "freed" by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.
Call Number: JC574 .L688 2015ISBN: 9780822358633Publication Date: 2015-06-08
Qaum, Mulk, Sultanat by
After the trauma of mass violence and massive population movements around the partition of India and Pakistan in 1947, both new nation states faced the enormous challenge of creating new national narratives, symbols, and histories, as well as a new framework for their political life. While leadership in India claimed the anti-colonial movement, Gandhi, and a civilizational legacy in the subcontinent, the new political elite in Pakistan were faced with a more complex task: to carve out a separate and distinct Muslim history and political tradition from a millennium long history of cultural and religious interaction, mixing, and coexistence. Drawing on a rich archive of diverse sources, Ali Qasmi traces the complex development of ideas of citizenship and national belonging in the postcolonial Muslim state, offering a nuanced and sweeping history of the country's formative period. Qasmi paints a rich picture of the long, arduous, and often conflict-ridden process of writing a democratic constitution of Pakistan, while simultaneously narrating the invention of a range of new rituals of state--such as the exact color of the flag, the precise date of birth of the national poet of Pakistan, and the observation of Eid as a "national festival"--providing an illuminating analysis of the practices of being Pakistani, and a new portrait of Muslim history in the subcontinent.
Call Number: DS384 .Q265 2024ISBN: 9781503637283Publication Date: 2023-12-12
Time's Monster : how history makes history by
For generations, the history of the British Empire was written by its victors, whose accounts of conquest guided the consolidation of imperial rule in India, the Middle East, Africa, and the Caribbean. British historians' narratives of the development of imperial governance licensed the brutal suppression of colonial rebellion. Their reimagining of empire during the two world wars compromised decolonization. In this brilliant work, Priya Satia shows how these historians not only interpreted the major political events of their time but also shaped the future that followed. From the imperial histories of John Stuart Mill and Winston Churchill to the works of anticolonial thinkers such as William Blake, Mahatma Gandhi, and E. P. Thompson, Satia captures two opposing approaches to the discipline of history and illuminates the ethical universe that came with them. Against the backdrop of enduring inequalities and a crisis in the humanities, hers is an urgent moral voice.
Call Number: D13 .S3625 2020ISBN: 9780674292178Publication Date: 2023-03-07
Notes Toward a Performative Theory of Assembly by
Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how. Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity--the destruction of the conditions of livability--has been a galvanizing force and theme in today's highly visible protests.
Call Number: SMFA K3256 .B88 2015ISBN: 9780674495548Publication Date: 2015-11-17
A People's Constitution by
It has long been contended that the Indian Constitution of 1950, a document in English created by elite consensus, has had little influence on India's greater population. Drawing upon the previously unexplored records of the Supreme Court of India, A People's Constitution upends this narrative and shows how the Constitution actually transformed the daily lives of citizens in profound and lasting ways. This remarkable legal process was led by individuals on the margins of society, and Rohit De looks at how drinkers, smugglers, petty vendors, butchers, and prostitutes--all despised minorities--shaped the constitutional culture. The Constitution came alive in the popular imagination so much that ordinary people attributed meaning to its existence, took recourse to it, and argued with it. Focusing on the use of constitutional remedies by citizens against new state regulations seeking to reshape the society and economy, De illustrates how laws and policies were frequently undone or renegotiated from below using the state's own procedures. De examines four important cases that set legal precedents: a Parsi journalist's contestation of new alcohol prohibition laws, Marwari petty traders' challenge to the system of commodity control, Muslim butchers' petition against cow protection laws, and sex workers' battle to protect their right to practice prostitution. Exploring how the Indian Constitution of 1950 enfranchised the largest population in the world, A People's Constitution considers the ways that ordinary citizens produced, through litigation, alternative ethical models of citizenship.
ISBN: 9780691185132Publication Date: 2018-11-27
The Jurisprudence of Emergency by
Ever-more-frequent calls for the establishment of a rule of law in the developing world have been oddly paralleled by the increasing use of "exceptional" measures to deal with political crises. To untangle this apparent contradiction, The Jurisprudence of Emergency analyzes the historical uses of a range of emergency powers, such as the suspension of habeas corpus and the use of military tribunals. Nasser Hussain focuses on the relationship between "emergency" and the law to develop a subtle new theory of those moments in which the normative rule of law is suspended. The Jurisprudence of Emergency examines British colonial rule in India from the late eighteenth to the early twentieth century in order to trace tensions between the ideology of liberty and government by law, which was used to justify the British presence, and the colonizing power's concurrent insistence on a regime of conquest. Hussain argues that the interaction of these competing ideologies exemplifies a conflict central to all Western legal systems--between the universal, rational operation of law on the one hand and the absolute sovereignty of the state on the other. The author uses an impressive array of historical evidence to demonstrate how questions of law and emergency shaped colonial rule, which in turn affected the development of Western legality. The pathbreaking insights developed in The Jurisprudence of Emergency reevaluate the place of colonialism in modern law by depicting the colonies as influential agents in the interpretation and delineation of Western ideas and practices. Hussain's interdisciplinary approach and subtly shaded revelations will be of interest to historians as well as scholars of legal and political theory.
ISBN: 0472113283Publication Date: 2003-08-21
Police Matters by
Police Matters moves beyond the city to examine the intertwined nature of police and caste in the Tamil countryside. Radha Kumar argues that the colonial police deployed rigid notions of caste in their everyday tasks, refashioning rural identities in a process that has cast long postcolonial shadows. Kumar draws on previously unexplored police archives to enter the dusty streets and market squares where local constables walked, following their gaze and observing their actions towards potential subversives. Station records present a textured view of ordinary interactions between police and society, showing that state coercion was not only exceptional and spectacular; it was also subtle and continuous, woven into everyday life. The colonial police categorized Indian subjects based on caste to ensure the security of agriculture and trade, and thus the smooth running of the economy. Among policemen and among the objects of their coercive gaze, caste became a particularly salient form of identity in the politics of public spaces. Police Matters demonstrates that, without doubt, modern caste politics have both been shaped by, and shaped, state policing.
ISBN: 9781501761065Publication Date: 2021-11-15
Brewing Resistance by
In 1947, decolonization promised a better life for India's peasants, workers, students, Dalits, and religious minorities. By the 1970s, however, this promise had not yet been realized. Various groups fought for the social justice but in response, Prime Minister, Indira Gandhi suspended the constitution, and with it, civil liberties. The hope of decolonization that had turned to disillusion in the postcolonial period quickly descended into a nightmare. In this book, Kristin Plys recounts the little known story of the movement against the Emergency as seen through New Delhi's Indian Coffee House based on newly uncovered evidence and oral histories with the men who led the movement against the Emergency.
ISBN: 9781108490528Publication Date: 2020-10-29
Walter Johnson
River of Dark Dreams by
This work looks at the history of the Mississippi River Valley in the nineteenth century and the economy that developed there, powered by steam engines and slave labor. When Jefferson acquired the Louisiana Territory, he envisioned an "empire for liberty" populated by self-sufficient white farmers. Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves. This book places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War. Here the author traces the connections between the planters' pro-slavery ideology, Atlantic commodity markets, and Southern schemes for global ascendency. Using slave narratives, popular literature, legal records, and personal correspondence, he recreates the harrowing details of daily life under cotton's dark dominion. We meet the confidence men and gamblers who made the Valley shimmer with promise, the slave dealers, steamboat captains, and merchants who supplied the markets, the planters who wrung their civilization out of the minds and bodies of their human property, and the true believers who threatened the Union by trying to expand the Cotton Kingdom on a global scale. But at the center of the story the author tells are the enslaved people who pulled down the forests, planted the fields, picked the cotton, who labored, suffered, and resisted on the dark underside of the American dream.
Call Number: E449 .J695 2013ISBN: 9780674045552Publication Date: 2013-02-26
The Broken Heart of America by
From an award-winning historian, a groundbreaking portrait of pervasive exploitation and radical resistance in America, told through the turbulent history of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor black residents, from slavery through redlining and urban renewal. But it was once also America's most radical city, home to anti-capitalist immigrants, the Civil War's first general emancipation, and the nation's first general strike -- a legacy of resistance that endures. A blistering history of a city's rise and decline, The Broken Heart of America will forever change how we think about the United States.
Call Number: Ginn F474.S257 J65 2020ISBN: 9780465064267Publication Date: 2020-04-14
- "What Do We Mean When We Say, 'Structural Racism'? A Walk down West Florissant Avenue, Ferguson, Missouri" - KalfouJohnson, Walter. "What Do We Mean When We Say, 'Structural Racism'? A Walk down West Florissant Avenue, Ferguson, Missouri." Kalfou 3, no. 1 (2016): 36-62. doi: 10.15367/kf.v3i1.86.
- "Allegories of Empire" - TransitionJohnson, Walter. "Allegories of Empire." Transition, no. 112 (2013): 13-21. doi: 10.2979/transition.112.13